Associate ProfessorPaul Stanhope

"Giving New Life to Old Ideas": the synthesis of Early Music Techniques with modern practice in the music of Judith Bingham, Clare Maclean and Heather Percy

A Creativity Model for the Composer Performer

Between Musical Chairs: A Case Study in Eclecticism

Between Negotiation and Dissolution: A Practice-Led Investigation into cultivating a “Third Voice” in Australian Contemporary Classical composition.

Challenging Hierarchies through Minimalist Music: A Human Experience of Recording and Re-Composing Australian Wildlife Sounds

Climate and the concert hall: How Australian composers address themes of climate change and climate anxiety

Composing in (and out of) the Sonic Body

Composing in Contrasting States: A Creative Exploration

Containing the Uncontainable: A Study in the Musical Expression of the Feminine Sublime and the Feminine Numinous

Creating the modern madrigal: bringing the madrigal into the twenty-first century

From Line to Shape to Space: Composition as Representation of The Visual Elements

Resonant Narratives: The Power of Hybrid Composition

Seeking Disorientation: Explorations of Identity Through Vocal Music Composition

Singing the Notation: An autoethnography of a professional singer in a performer-composer collaboration during the creation of a new song-cycle

Stigma and Storytelling: An Exploration of Feminism and Disability in Music through the Composition of New Works

Tracing Latvian national identity in vocal music: a diaspora lens