Associate ProfessorJosh Stenberg

Associate Professor

Faculty of Arts and Social Sciences

Research projects & supervision summary

Project Opportunities

Title: Chinese Studies

Summary of opportunity:

Josh Stenberg obtained his B.A. from Harvard College, his M.A. from the University of British Columbia, and his PhD in Chinese Theatre from Nanjing University. He was a Fulbright Taiwan fellow and a Social Sciences and Humanities Research Council of Canada Postdoctoral Fellow in Theatre and Film before taking up his current position at the University of Sydney.

Opportunity synopsis:

Research interests

  • Contemporary xiqu in the Chinese World
  • Contemporary Sinophone Fiction and Poetry
  • Theatre and Performance of Chinese Communities Abroad
  • Sino-Indonesian Literature, Performance and Culture
  • Chinese Translation Studies
  • Global Reception of Chinese Theatre

Supervision

  • Contemporary Fiction and Poetry in the Chinese World
  • Chinese Culture in Southeast Asia
  • Chinese-English Literary Translation
  • Internationalisation of Chinese Theatre


----------Current Research Projects----------

  • Sino-Indonesian Theatre and Performance
  • Xiqu as a Global Genre
  • Contemporary Southern Fujian and Taiwanese Theatre
  • Contemporary Sino-Indonesian Literature
  • Translation of Chen Xue’s Child on the Bridge and Su Tong’s short fiction

RESEARCH PROJECTS & ACTIVITIES

  • RESEARCH-BASED DEGREE SUPERVISION
    A poetry collection 'Barehanded Fight: Baizhan-Style Poems' with exegesis and related research 'Starting from the New: Baizhan Style Its Poetic Value and Potential Transplantation into English Poetry'
  • RESEARCH-BASED DEGREE SUPERVISION
    An ethnographic study of Chinese Lion Dance and Drumming in Chile
  • RESEARCH-BASED DEGREE SUPERVISION
    Body Irony and Identity: The Trauma Narrative in the Fiction of Wang Xiaobo Yu Hua and Mo Yan
  • RESEARCH-BASED DEGREE SUPERVISION
    Chinese Festival Performances Held In Chinese Schools In Indonesia Since 1901
  • RESEARCH-BASED DEGREE SUPERVISION
    Chinese Studies
  • RESEARCH-BASED DEGREE SUPERVISION
    Dual developmental mode: the top-down and bottom-up progress of language change in the Korean community of China since 1948
  • RESEARCH-BASED DEGREE SUPERVISION
    Examining the Interaction of Arabic and Chinese Calligraphy in China and Malaysia
  • RESEARCH-BASED DEGREE SUPERVISION
    Gendered Access to Comic Authority: a comparative study of xiangsheng and rakugo
  • RESEARCH-BASED DEGREE SUPERVISION
    Global Modernism Reconsidered: W. Somerset Maugham's Journey to the East
  • RESEARCH-BASED DEGREE SUPERVISION
    Inheritance and Innovation: A Study of Jingju Master Li Weikang
  • RESEARCH-BASED DEGREE SUPERVISION
    Money Talks: household finances, intimacy and cultural negotiation in Chinese-Australian couples/families
  • RESEARCH-BASED DEGREE SUPERVISION
    Nationalism Resistance and Authenticity: The Translocalisation of Hip-Hop Music in China
  • RESEARCH-BASED DEGREE SUPERVISION
    Performing China in Australia with a Focus on Sydney: Chinese Migrant Traditions on Stage and Street (19th–21st Century)
  • RESEARCH-BASED DEGREE SUPERVISION
    Performing Under Occupation: Traditional Chinese Theaters in Occupied Cities in the Second Sino-Japanese War, 1937-1945.
  • RESEARCH-BASED DEGREE SUPERVISION
    Queer Subversion and Mobility in Contemporary Taiwanese Fiction
  • RESEARCH-BASED DEGREE SUPERVISION
    Representing Cultural Revolution Trauma: Narrative Strategies in Contemporary Chinese Fiction and Their Cinematic Adaptations
  • RESEARCH-BASED DEGREE SUPERVISION
    The Formation of Chinese Australian Literature in the Chinese-Language Press 1894–1937
  • RESEARCH-BASED DEGREE SUPERVISION
    The Hybrid Monkey King: Adaptations from Traditional Chinese Theatre to Transcultural Screen Media
  • RESEARCH-BASED DEGREE SUPERVISION
    The Image of Girls in Chinese Fiction During the Republican Era
  • RESEARCH-BASED DEGREE SUPERVISION
    The Queer Power in Chinese Dangai Drama
  • RESEARCH-BASED DEGREE SUPERVISION
    Theatre as Business: A Study on Shanxi Merchants' Sponsorship of Theatrical Performance in Late Imperial China
  • RESEARCH-BASED DEGREE SUPERVISION
    Translanguaging and source-oriented lexical creativity in the English Translation of Chinese science fiction Sān Tǐ
  • RESEARCH-BASED DEGREE SUPERVISION
    Transnational Poetics and Modernist Archives: Ezra Pound's Confucian Odes
  • RESEARCH-BASED DEGREE SUPERVISION
    Writing a Migrant Body: Identity Predicament and Resistance in Sinophone Fiction by Chinese Migrant Women in Australia 1996-2004