Associate ProfessorJosh Stenberg
Associate Professor
Faculty of Arts and Social Sciences
Orcid identifier0000-0002-6832-2909 (opens in a new tab)
- Associate ProfessorFaculty of Arts and Social Sciences
Research projects & supervision summary
Project Opportunities
Title: Chinese Studies
Summary of opportunity:
Josh Stenberg obtained his B.A. from Harvard College, his M.A. from the University of British Columbia, and his PhD in Chinese Theatre from Nanjing University. He was a Fulbright Taiwan fellow and a Social Sciences and Humanities Research Council of Canada Postdoctoral Fellow in Theatre and Film before taking up his current position at the University of Sydney.
Opportunity synopsis:
Research interests
- Contemporary xiqu in the Chinese World
- Contemporary Sinophone Fiction and Poetry
- Theatre and Performance of Chinese Communities Abroad
- Sino-Indonesian Literature, Performance and Culture
- Chinese Translation Studies
- Global Reception of Chinese Theatre
Supervision
- Contemporary Fiction and Poetry in the Chinese World
- Chinese Culture in Southeast Asia
- Chinese-English Literary Translation
- Internationalisation of Chinese Theatre
----------Current Research Projects----------
- Sino-Indonesian Theatre and Performance
- Xiqu as a Global Genre
- Contemporary Southern Fujian and Taiwanese Theatre
- Contemporary Sino-Indonesian Literature
- Translation of Chen Xue’s Child on the Bridge and Su Tong’s short fiction
RESEARCH PROJECTS & ACTIVITIES
- RESEARCH-BASED DEGREE SUPERVISIONA poetry collection 'Barehanded Fight: Baizhan-Style Poems' with exegesis and related research 'Starting from the New: Baizhan Style Its Poetic Value and Potential Transplantation into English Poetry'
- RESEARCH-BASED DEGREE SUPERVISIONAn ethnographic study of Chinese Lion Dance and Drumming in Chile
- RESEARCH-BASED DEGREE SUPERVISIONBody Irony and Identity: The Trauma Narrative in the Fiction of Wang Xiaobo Yu Hua and Mo Yan
- RESEARCH-BASED DEGREE SUPERVISIONChinese Festival Performances Held In Chinese Schools In Indonesia Since 1901
- RESEARCH-BASED DEGREE SUPERVISIONChinese Studies
- RESEARCH-BASED DEGREE SUPERVISIONDual developmental mode: the top-down and bottom-up progress of language change in the Korean community of China since 1948
- RESEARCH-BASED DEGREE SUPERVISIONExamining the Interaction of Arabic and Chinese Calligraphy in China and Malaysia
- RESEARCH-BASED DEGREE SUPERVISIONGendered Access to Comic Authority: a comparative study of xiangsheng and rakugo
- RESEARCH-BASED DEGREE SUPERVISIONGlobal Modernism Reconsidered: W. Somerset Maugham's Journey to the East
- RESEARCH-BASED DEGREE SUPERVISIONInheritance and Innovation: A Study of Jingju Master Li Weikang
- RESEARCH-BASED DEGREE SUPERVISIONMoney Talks: household finances, intimacy and cultural negotiation in Chinese-Australian couples/families
- RESEARCH-BASED DEGREE SUPERVISIONNationalism Resistance and Authenticity: The Translocalisation of Hip-Hop Music in China
- RESEARCH-BASED DEGREE SUPERVISIONPerforming China in Australia with a Focus on Sydney: Chinese Migrant Traditions on Stage and Street (19th–21st Century)
- RESEARCH-BASED DEGREE SUPERVISIONPerforming Under Occupation: Traditional Chinese Theaters in Occupied Cities in the Second Sino-Japanese War, 1937-1945.
- RESEARCH-BASED DEGREE SUPERVISIONQueer Subversion and Mobility in Contemporary Taiwanese Fiction
- RESEARCH-BASED DEGREE SUPERVISIONRepresenting Cultural Revolution Trauma: Narrative Strategies in Contemporary Chinese Fiction and Their Cinematic Adaptations
- RESEARCH-BASED DEGREE SUPERVISIONThe Formation of Chinese Australian Literature in the Chinese-Language Press 1894–1937
- RESEARCH-BASED DEGREE SUPERVISIONThe Hybrid Monkey King: Adaptations from Traditional Chinese Theatre to Transcultural Screen Media
- RESEARCH-BASED DEGREE SUPERVISIONThe Image of Girls in Chinese Fiction During the Republican Era
- RESEARCH-BASED DEGREE SUPERVISIONThe Queer Power in Chinese Dangai Drama
- RESEARCH-BASED DEGREE SUPERVISIONTheatre as Business: A Study on Shanxi Merchants' Sponsorship of Theatrical Performance in Late Imperial China
- RESEARCH-BASED DEGREE SUPERVISIONTranslanguaging and source-oriented lexical creativity in the English Translation of Chinese science fiction Sān Tǐ
- RESEARCH-BASED DEGREE SUPERVISIONTransnational Poetics and Modernist Archives: Ezra Pound's Confucian Odes
- RESEARCH-BASED DEGREE SUPERVISIONWriting a Migrant Body: Identity Predicament and Resistance in Sinophone Fiction by Chinese Migrant Women in Australia 1996-2004