Associate ProfessorHuw Griffiths
(he/him)
Associate Professor
Faculty of Arts and Social Sciences
Orcid identifier0000-0002-4029-0415 (opens in a new tab)
- Associate ProfessorFaculty of Arts and Social Sciences
Research projects & supervision summary
Project Opportunities
Title: English literature and culture
Summary of opportunity:
My research interests lie in sixteenth and seventeenth-century English literature and culture, with a focus on Shakespearean drama. Specific interests include: constructions of the early modern nation; sovereignty; Restoration and eighteenth-century adaptations of Shakespeare and other early modern dramatists; contemporary performances of Shakespeare plays. Other interests include twentieth-century and contemporary British poetry, and contemporary gay fiction.
----------Current Research Projects----------
Sameness and Difference in Shakespeare and Fletcher: Homophobia, Insult and Adaptation:
- expands an understanding of the relationship between early modern theatrical writing and the emergence of same-sex relationships, masculinity and sexuality;
- brings the two fields of early modern drama and Restoration/eighteenth-century drama together in ways that illuminate both, that answer to the continuing traditions of adaptation, collaboration and re-writing that occur across the periods, and that reveal ongoing developments in the histories of gender and sexuality;
- places some key canonical texts (e.g. Henry V, Twelfth Night, Two Noble Kinsmen, Philaster; some Cervantes) in relation to less well-known counterparts (e.g. The Chances, The Custom of the Country, The Little French Lawyer; Cibber’s Love Makes a Man).
RESEARCH PROJECTS & ACTIVITIES
- RESEARCH-BASED DEGREE SUPERVISION‘Thus I set my printless feet’: Representations of rape and their circulation in early modern England, 1630-1634
- RESEARCH-BASED DEGREE SUPERVISIONBrexit, Brexlit and the (Dis)United Kingdom: Responses to Brexit in post-referendum British novels
- RESEARCH-BASED DEGREE SUPERVISIONCensorship, Collaboration, and the Construction of Authorship in Early Modern Theatre
- RESEARCH-BASED DEGREE SUPERVISIONCharity in the sermonic and other writings of John Donne and Jonathan Swift
- RESEARCH-BASED DEGREE SUPERVISIONEpistemologies of Play: Folly, Allegory, and Embodiment in Early Modern Literature
- RESEARCH-BASED DEGREE SUPERVISIONEthical Variations in the Q/F Texts of Shakespeare's Romeo and Juliet Hamlet and King Lear
- RESEARCH-BASED DEGREE SUPERVISIONJohn Webster’s Authorship(s)
- RESEARCH-BASED DEGREE SUPERVISIONReflections On The Legend Of The Red Cross Knight
- RESEARCH-BASED DEGREE SUPERVISIONShakespeare and the late Elizabethan Inns of Courts plays
- RESEARCH-BASED DEGREE SUPERVISIONShakespeare’s French: Reading Hamlet at the Edge of English
- RESEARCH-BASED DEGREE SUPERVISIONShakespeare’s Tragic Adaptation
- RESEARCH-BASED DEGREE SUPERVISIONShakespeare, again? Australian Literary Adaptations of Shakespeare for Children and Young Adults
- RESEARCH-BASED DEGREE SUPERVISIONSpies on Stage 1978-1988: A Decade of Obsession in British Theatre
- RESEARCH-BASED DEGREE SUPERVISIONSurveillant Sensescapes: Towards an Ecological Understanding of Gender and Sexual Politics in Early Modern Drama
- RESEARCH-BASED DEGREE SUPERVISIONSurveillant Sensescapes: Towards an Ecological Understanding of Gender and Sexual Politics in Early Modern Drama
- RESEARCH-BASED DEGREE SUPERVISIONThe Abject and the Volatile: Investigating Bodies in Shakespeares Roman Plays
- RESEARCH-BASED DEGREE SUPERVISIONThe Privatisation of the World: Skepticism in Shakespeare's Cartesian Theatre
- RESEARCH-BASED DEGREE SUPERVISIONThus I set my printless feet: Representations of rape and their circulation in early modern England 1630-1634
- RESEARCH-BASED DEGREE SUPERVISIONUnearthing "the real England": Foreign Influences in the Landscape of Tom Stoppard's Arcadia