Associate ProfessorGoetz Richter

A Tri-partite Dialogic Form: On Temporality, Listening, and History in the New Formenlehre

Beyond Hollywood: A Multidimensional Examination of Erich Wolfgang Korngold's Violin Concerto in D Major

Expert string practice as embodied formation: A philosophical and empirical enquiry

Musical Gestures: Conceptualising, Communicating and Collaborating in Performance

Songs of Fire: Towards Truth of Being

The Humanism and Tragedy of Richard Strauss: Mannian reflections on a non-political man.

The Intercultural Violin in a Conservatory Context: An Autoethnographic Case Study and Portfolio of Creative Work

The Musicality of The Sublime: Romantic sensibilities in film music.

The performance style of Lionel Tertis - on selected works by Arnold Bax and William Walton

The role of imagination in violin bow technique: Applying imagination theory to Flesch and Galamian's pedagogy

Towards a Timbre-Focused Approach for the Acquisition of Expressive Performance Skills in Contemporary Violin Practice

Violin Performance Teaching and Learning: The development of technology and its role in violin pedagogy

Wieniawski's Contribution to the Culture of Expression: Understanding the Aesthetics of Violin Music in the Nineteenth Century