Associate ProfessorDamien Ricketson

A General Theory Of Composition: Cross-modal Perception, Sound, Synergy and Meaning in contemporary composition practice

A Sound not Wholly for the Ear: De-centering Listening in 20th/21st Century Composition

Composing with the More-Than-Human: A Study of Reciprocal Voices

Decomposing Spectralism: an exploration of continuity through the improvisational network

Decorative Timbre: Integrating characteristics of Spectral and Dastgah music

Ecological sound composition: orchestrating sonic environments through synthesis

Ethnographic Explorations of 21st Century Australian Chamber Opera

Extended melodic form in Big Band composition: historical use and implications in advancing the art form

Extending Soundscapes: 360° Virtual Environments and Ambisonic Representation towards Sustainable Listening

Fabric of Memory: A Multimedia Synthesis of the History of Cockatoo Island

Gilgamesh: creation and decreation as operatic form

Listening as Encounter: Composing with and through Precarious Environments

Music As Surrealist Collage

Music Composition as Multi-Species Ethnography

Panstylism: Wikipedia and Composition

Possession: Feedback, Abjection and The Loss of Control

Potentials in a World of Becoming: Ecological Correspondence in Compositional Practice

Seeking Disorientation: Explorations of Identity Through Vocal Music Composition

The Application of Innovative Advances in the Natural Sciences to my Practice of Experimental Art Music Composition

The Last Renaissance Man: A Cross-Disciplinary Study in Composing An Orchestral Live Documentary

The Measuring Stick - Perpetuating Musical Time Through Anticipation and Retrospective Temporal Location

Visual Amplification, The visual presentation of new music. Practical applications in performance, curation, and composition

Voci Pari: Radical Action, Redaction and Resonance in Composing Equal Voices