DrBelinda Castles

Senior Lecturer in Creative Writing/English

Faculty of Arts and Social Sciences

  • Senior Lecturer in Creative Writing/English
    Faculty of Arts and Social Sciences

SERVICE & LEADERSHIP SUMMARy

SACE Postgraduate Curriculum Coordinatory

Previously Postgraduate Coordinator: Creative Writing

SERVICE & LEADERSHIP

  • MEDIA
    Friday essay: what can we learn about a city from its writers?
    29 Aug 2025
    The Conversation
  • MEDIA
    Friday essay: a poet, a disciplinarian, an illiterate grandfather - writers reflect on the teachers who shaped them
    13 Oct 2023
    The Conversation
  • MEDIA
    'The unlooked-for and idiosyncratic was her stock-in-trade': last words from the unclassifiable Janet Malcolm
    15 Feb 2023
    The Conversation
  • MEDIA
    'In the place of creation there was only fear': Oliver Mol rides to recovery in his memoir Train Lord
    6 Sep 2022
    The Conversation
  • MEDIA
    True writing is a convulsive act: inside the mind of Elena Ferrante
    14 Apr 2022
    The Conversation
  • AWARDS AND PRIZES
    FASS Award for Excellence in Teaching
    1 Jan 2022
  • MEDIA
    1 May 2021
    Susan Wyndham: The success ofReading Like an Australian Writeris heightened by Castles' inspired arrangement of the essays, creating clusters and flow that enhance every piece. Many pairings speak lightly to each other...You'll find your own windows upon windows into our literature.Reading Like an Australian Writeris a snapshot of Australian writing that is of its moment and, like the books in its pages, will reward rereading into the future.'
  • MEDIA
    1 May 2021
    Lucy Neave: Reading like an Australian Writer�offers a form of remediation by recognising the importance of Australian books to our culture, while also expanding and including a wide range of Australian voices and subject positions. Most importantly, in its essays' discussion of books ranging from David Malouf'sRansomto Michelle de Kretser'sThe Life to Come, it communicates the experience of how reading can spark a connection between the reader and the text, and how this connection in turn inspires more writing. In its discussion of a range of novels and collections of stories, in essays written by writers who have themselves won literary awards and been recognised as significant, from Debra Adelaide to Roanna Gonsalves to Julienne van Loon, it maps the fabric of Australian literary culture now.'
  • MEDIA
    1 Jan 2019
    Bluebottle is a dexterous, assured work of a rare kind: a literary novel with the mesmerising force of a thriller�The precision of Castles' observations, her attentiveness to nature and her remarkable understanding of family dynamics make this novel outstanding. Central to Castles' achievement is the formidable sense of menace she creates around Charlie, which brings The Man Who Loved Children to mind.'
  • AWARDS AND PRIZES
    Stella Prize Longlist (Bluebottle)
    1 Jan 2019
  • AWARDS AND PRIZES
    Asher Literary Award (Hannah and Emil)
    1 Jan 2013
  • MEDIA
    1 Oct 2012
    Peter Pierce: This is an ambitious novel that keeps its focus on the here and now, on the hard-to-manage particulars of daily life. The sentimentality to which its form and events could have succumbed is altogether avoided for a clear-eyed, absorbing and intelligent account.'
  • MEDIA
    1 Aug 2012
    Lucy Clark: The most gripping passages of Hannah & Emil involve the fearsome prospect of Emil losing his young son, Hans, to the terrible ideology of Nazism and here Castles writes with great poignancy about the corruption of innocents.'
  • RECOGNITION
    Sydney Morning Herald Best Young Novelist (The River Baptists)
    1 Jan 2008
  • MEDIA
    3 Oct 2007
    Debra Adelaide: The stories of eventually intersect as they unfold in a beautifully structured manner that allows intense and even shocking dramas to develop, but never produces sensationalism.' Castles exploits deep and telling silences in her story, and portrays people intensely connected to place and land�'
  • MEDIA
    The River Baptists: Australian Book Review
    1 Jan 2007
    Kate McFadyen: The persistent symbolism of baptism and rebirth is delicately handled, from the title of the novel to the final pages. Castles uses the quietness of the river, its distinctive hidden waterholes and inlets, to great effect�The dramatic backdrop at once feeds the symbolic world of the novel, diluting it with its immensity and the comparative smallness of human concerns.'
  • AWARDS AND PRIZES
    Australian/ Vogel Literary Award (The River Baptists)
    1 Jan 2006
  • MEDIA
    an elegantly crafted, psychologically complex novel that takes up the motif of the dysfunctional family haunted by its past, and renders from it a story that is gripping and incredibly moving.'